Brent Armendinger

BA, Bard College
MFA, University of Michigan, Ann Arbor

Contemporary poetry, creative writing, 酷儿研究, disability studies, text and image collaborations, writing and community outreach.

Introduction to Creative Writing (ENG 30)

Poetics of Correspondence (ENG 32)

Poetic Forms and Innovations (ENG 60)

Ecopoetics and Photography (ENG 127)

Writing the Body (ENG 128)

Advanced Projects in Creative Writing (ENG 130)

“The Afterforest”. 连词. 2019年10月. 

街的光泽. The Operating System. 2019年7月. 

The Ghost in Us Was Multiplying. Las Cruces, NM: Noemi Press, 2015.

“Dennis Richmond,” Hayden’s Ferry Review, 卷. 1, no. 54(2014年4月).

“一夜情”, Bloom Literary Journal, 卷. 5, no. 1 (2013年10月).

“四个文本,” 回顾杂志 (2013年10月).

“Narrow Hallways” and “Flotilla,” Colorado Review, 卷. 40, no. 2 (summer 2013).

“A Devotion to Spheres” and “Our Bodies in Reverse,” 孟买杜松子酒 卷. 39, no. 2(2013年6月).

Translations of Fabián Casas and Alejandro Mendez, Aufgabe,卷. 1, no. 12(2013年6月).

“The Frequencies,” 轻舟,卷. 5, no. 1 (February 2013).

“Renunciation,” Denver Quarterly, 卷. 46, no. 4(2012年7月).

“天空数学” Squaw Valley Review 2011 (2012年6月).

“The Flight Cage,” “Castaways,” “Dear Documentary,” and “The Bathers,” Web 连词 (2012年1月).

“Asolar。” 艺术 & 理解, 卷. 20, no. 12 (December 2011).

“History Lessons,” 爆炸了, 卷. 12, no. 1(2011年8月).

“The Properties of Nectar,” Puerto del Sol, 卷. 46, no. 1 & 2(2011年7月).

“The Properties of Nectar,” prose, Puerto del Sol, 卷. 46, no. 1 & 2(2011年7月).

“Thieves’ Cant,” poetry, 点燃, 卷. 1, no. 20(2011年6月).

“For Mount Baldy,” “What Is a Prayer,” “Catch and Release,” poetry, 棱镜审查, 卷. 1, no. 13(2011年5月).

“This Is What I Have Been Made For,” poetry, 伏, 卷. 1, no. 16(2011年4月).

“A la Recherche d’Rechercher,” text and image collages, 法院的绿色, 卷. 1, no. 8(2011年3月). With Benjamin Fife.

检测不到. Tucson, AZ: New Michigan Press, 2009

群岛. Las Cruces, NM: Noemi Press, 2009.

“Radical Impermanence: Towards a Poetics of Perishability,” panel organizer and discussant, Emergent Communities in Contemporary Experimental Writing Conference, University of California Santa Cruz, Santa Cruz, CA, May 5, 2012.

Poetry reading, BANG OUT Reading Series, San Francisco, CA, August 13, 2011.

Poetry reading, Empty Globe Reading Series, Los Angeles, CA, May 7, 2011.

Poetry reading and Discussion, Queer 教师 Symposium, 克莱蒙特 Colleges Queer Resource Center, 克莱蒙特, CA, March 30, 2011.

“Disappearing Acts, or Unbelonging in the Archive,” paper presented at the Association of Writers and Writing Programs Annual Conference, Washington, DC, February 5, 2011.

Poetry reading, Homo-Centric Reading Series, Los Angeles, CA, October 21, 2010.

Poetry reading, Amy Adler’s Echo Park Studio,Los Angeles, CA, March 6, 2010.

Poetry reading, Books and Bookshelves, San Francisco, CA, January 4, 2010.

Poem-Booth Project, dA Center for the 艺术, Pomona, CA, September–December 2009. With students from ENG129, Poetry and Public Space.

A Hole for the Wind to See Through, Prayer Show, Frankenart Mart, San Francisco, CA, 2009.

“Vocabulary,” visual poetry exhibit, Exploratorium, San Francisco, CA, September 2011-present.

“段落,” video poetry reading, First Street Gallery Art Center, 克莱蒙特, CA, August-September 2011.

决赛, California Book Award in Poetry, 2016; Artist in Residence, Headlands Center for the 艺术, 2013.

Co-curator, the Poem-Booth Project, 826LA, Los Angeles, CA, September 2013. With Matthew Williams.

决赛, Yale Series of Younger Poets, for poetry manuscript The Hungry Pronouns, 2012.

First place, poetry, International Queer Writing Competition, sponsored by Chroma Journal, 2009.